Introducing Doris Duke, for the Second Time

Many readers will know that evolving commitments on the School Board, Historic Preservation Commission, and Central New Jersey Walk Now for Autism, required me to ask to not be reappointed for another term on Hillsborough's Cultural Arts Commission.


Portrait of Doris Duke painted by sixteen-year-old Hillsborough resident Kathleen Fritz, which was unveiled Friday, becoming the third portrait in Hillsborough Township's Public Art Collection.

One of the last things I worked on as chair of the commission in 2010 was the selection of Doris Duke as the third subject for Hillsborough Township's Public Art Collection - an adjunct of the annual Art Show.  In preparation of the 2011 show, which was held last weekend, I met with Duke Farms chief Tim Taylor to discuss involving Duke Farms in the project - where the 2010 student grand prize winner is commissioned to paint a portrait of a notable Hillsborough resident under the tutelage of premier portrait artist Kevin Murphy.

To say that Mr. Taylor was enthusiastic about the project would be an understatement.  He pledged full cooperation of both himself and his staff, and I know their assistance was greatly appreciated by the Cultural Arts Commission.




Tim Taylor of Duke Farms addresses the assembled at the awards ceremony of the Hillsborough Cultural Arts Commission Art Show.

During our meeting last Fall, Mr. Taylor spoke about Doris Duke's love for the arts, and how she would have been so pleased to see young people engaged and participating in the arts.  He reiterated those themes when he spoke during the awards ceremony on Friday just before the unveiling of the Doris Duke portrait, but he also said something that I hadn't heard before.  Apparently Miss Duke only sat for one portrait during her lifetime.

In 1924, twelve-year-old Doris Duke was painted by renowned English portraitist John Da Costa.  Da Costa specialized in children's portraits, and a photograph of his painting of the young Doris Duke appeared in the December 21, 1924 edition of the New York Times.